Photograph (low quality) of a completed drawing by Sarah Simblet for The New Sylva: Pollarded willows at Wootton
Photograph (low quality) of a completed drawing by Sarah Simblet for The New Sylva: Field Oak (Quercus robur) and rooks.
Time lapse film of artist Sarah Simblet working on a drawing for The New Sylva book. Made from 600 photographs taken over the course of 6 hours. The drawing is of a stand of sugi or Japanese red cedar (Cryptomeria japonica) growing in Brechfa Forest Gardens, Wales.
There remain many botanical parts of trees to be drawn and a few whole trees to be depicted by Sarah Simblet, yet a forest visited this week by the authors will be one of the last whole treescapes to feature in The New Sylva. The authors visited Brechfa Forest Gardens
The authors visit the ash tree chosen to feature as in The New Sylva. Working in the rain …
Common hazel (Corylus avellana) is one of the first of our trees to flower in very early Spring. In time with nature, while their pendent ‘lambs tail’ catkins are emerging, so is a drawing of a hazel tree for The New Sylva. Sarah has been working on a drawing on
We’ve been overcome by the number of fantastic ash trees submitted by dozens of people across the country. Thank you to everyone who took part. The chosen tree is …
The authors are searching for the finest example of a common ash (Fraxinus excelsior) tree to feature in The New Sylva. We hope that our readers can help by submitting their favourite ash trees – one of which will be selected and appear in the book frontispiece. Following the outbreak
Day two of our Scottish drawing expedition took us to the southern shore of Loch Rannoch. We were in search of a treescape that would enable us to feature birch and water together. We had a specific place in mind for where the drawing will feature in the book. The
Yesterday our Scottish Drawing Expedition for The New Sylva got underway. In search of Scots Pine (Pinus sylvestris) we had travelled to one of the last remaining and best examples of Caledonian Pinewood: the Black Wood of Rannoch, in Central Scotland. High above Loch Rannoch, on an undulating heather-clad ridge,
Earlier this week the authors visited Stourhead (Western) Estate in Wiltshire to study and draw a treescape in one of Britain’s most progressively-managed woodlands.
Sarah Simblet’s concentrated work drawing tree leaves and fruits for The New Sylva was interrupted this week with the invasion of hundreds of young toads (Bufo bufo) hopping past the open door of her Oxfordshire studio. This time of year the young toads leave their watery birthplaces to start a terrestrial